A Hundred and Twenty Four

When I am not considering the cleanliness of my navel, I remember to be grateful for empathy and the strange and wonderful places it takes me to. That on a quiet day, at an unsuspecting moment, I can find kinship in odd vulnerabilities at the corners of everyday tedium. That I can find myself in unusual shoes.

I find me in that child’s two-second pause while he registers he just let his helium balloon go. I am in that breathless shock of cold the construction worker feels when he empties a mug of water on his head. I am that 12 year old who goes on stage during a wedding reception, shakes the groom’s hand awkwardly, and walks off self-conscious. I am in the awkwardness of the waiting girl who absently checks her phone. I am in the unconvincing excuse the belated boy comes up with.

I am that friend at the birthday party who gave the birthday boy money instead of a wildly exciting video game. I am that girl posing in a group photograph, who never knows what to do with her hands – should she assume intimacy with the person next to her by draping her hand across his shoulder, or does he mean something to hold his waist? I am the urchin at a bakery glass display, eyeing a sickeningly rich pink pastry. I am the gentleman determinedly not looking at the bent girl’s gaping neckline.

I wince when the parlour lady threads the 16 year old’s supple upper-lip. I feel the itchiness of the monkey cap the diabetic grandfather has been forced to wear. My gut chills like the man who learns he has placed second on the reality show. I am homesick like the silhouettes in the windows of an interstate bus pulling out of those last few stretches of city, watching people ride in the opposite direction, homesickness mounting as they get closer home. I feel the strain in my arms from that girl who ferries her uncomfortable mother on her scooter. My toes flex for texture when a hawker takes to the tar road by foot. I pinch my eyes shut imagining the acridity of the beedi that man smokes.

I’m convinced that the maker is an amateur artist in pursuit of his perfect drawing, for he keeps tracing and retracing our borders over and over again. All that makes us different from each other are the wisps and ghosts between Pilot-pen-drawn lines. Our anomalies are errors by his hand that could well be attributed to bumps in cosmic paper. Maybe to make up for this, he threw in the gift of empathy, that we may see ourselves past those hazy, rakish lines. Maybe, with empathy, he wants us to fill in the colours.

Or maybe, just maybe, empathy was his way of saying sorry for loneliness.

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